Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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KEYSER, Thomas de
Equestrian Portrait of Pieter Schout s

ID: 07734

KEYSER, Thomas de Equestrian Portrait of Pieter Schout s
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KEYSER, Thomas de Equestrian Portrait of Pieter Schout s


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KEYSER, Thomas de

Dutch Baroque Era Painter, ca.1596-1667 son of Hendrick de Keyser I. Following an apprenticeship with an unidentified master in painting, he trained from 1616 to 1618 with his father in architecture. Although he ultimately followed his father and two brothers, Pieter and Willem, into service for the city of Amsterdam as city mason (1662-7), no designs for buildings by Thomas are known, with the exception of an unbuilt triumphal arch published in Salomon de Bray's Architectura moderna   Related Paintings of KEYSER, Thomas de :. | Kristiansand IV am failing Denmark popularaste king | Noli Me Tangere | Waves Breaking | Le Fumeur Oriental | Recreation by our Gallery |
Related Artists:
Arborelius
Olof Arborelius Olof Arborelius 1842-1915
Gerrit Willem Dijsselhof
painted Autumn Day in 1895
WITZ, Konrad
b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland. German painter. One of the great innovators in northern European painting, he turned away from the lyricism of the preceding generation of German painters. His sturdy, monumental figures give a strong impression of their physical presence, gestures are dignified and the colours strong and simple. Even scenes with several figures are strangely undramatic and static. The surface appearance of materials, especially metals and stone, is intensely observed and recorded with an almost naive precision. Powerful cast shadows help to define the spatial relationships between objects. His fresh approach to the natural world reflects that of the Netherlandish painters: the Master of Fl?malle and the van Eycks. He need not, however, have trained in the Netherlands or in Burgundy as knowledge of their style could have been gained in Basle. He remained, however, untouched by the anecdotal quality present in their art,






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